Produced 28 volumes from the poem “The Window of Life” by the potter Kanjiro Kawai. In this series, poetry and paintings are put together so that they face each other.
An exquisite lithograph produced on a very textural Japanese ‘washi’ paper, published by Yasukawa as part of their collaborative calendar project.
Dimensions: 31 x 39 cm approx. Original Printing Date: 1947 (lithograph printed 2005) Medium: Lithograph
Shiko Munakata (1903-1975) was a Japanese artist, world-renowned for his woodblock prints and his role in popularising both the shin-hanga and mingei movements in the West. Munakata’s distinctive and harsh take on print making gained worldwide attention in the mid 20th Century: in the Eastern World, this was a result of his departure from more traditional production techniques whilst still maintaining the cultural subject matter of Buddha, flowers and similar everyday imagery. Whereas in the West, the prints were produced in a style not too dissimilar from the European abstract and modernist artists, which in turn gained Munakata the nickname of ‘Japanese Picasso.’ One can easily see the similarties between the two artists.
An interesting observation is noticing that Picasso and his French peers were influenced by the work of the earlier Japanese printmakers, notably Hokusai, which in turn influenced Munakata; the influence really travelled full circle within artistic circles in the 19th and 20thcenturies.
Work Hard by Shikō Munakata
£75.00
Produced 28 volumes from the poem “The Window of Life” by the potter Kanjiro Kawai. In this series, poetry and paintings are put together so that they face each other.
An exquisite lithograph produced on a very textural Japanese ‘washi’ paper, published by Yasukawa as part of their collaborative calendar project.
Dimensions: 31 x 39 cm approx.
Original Printing Date: 1947 (lithograph printed 2005)
Medium: Lithograph
Sold
Description
Shikō Munakata 棟方 志功
Shiko Munakata (1903-1975) was a Japanese artist, world-renowned for his woodblock prints and his role in popularising both the shin-hanga and mingei movements in the West. Munakata’s distinctive and harsh take on print making gained worldwide attention in the mid 20th Century: in the Eastern World, this was a result of his departure from more traditional production techniques whilst still maintaining the cultural subject matter of Buddha, flowers and similar everyday imagery. Whereas in the West, the prints were produced in a style not too dissimilar from the European abstract and modernist artists, which in turn gained Munakata the nickname of ‘Japanese Picasso.’ One can easily see the similarties between the two artists.
An interesting observation is noticing that Picasso and his French peers were influenced by the work of the earlier Japanese printmakers, notably Hokusai, which in turn influenced Munakata; the influence really travelled full circle within artistic circles in the 19th and 20thcenturies.
Read More Here.
Related Products
Saijaku no saku (Ryuryokukakoushou) by Shikō Munakata
£55.00 Read moreThe Magnifying Glass from Tanizaki Junichiro’s The Key by Shiko Munakata
£165.00 Add to basketPeacock & Poem by Shiko Munakata
£55.00 Add to basketMinishimu no saku (Kagiroishou hangasaku) by Shikō Munakata
£100.00 Add to basketSuzaku and Genbu by Shiko Munakata
£65.00 Add to basketHachinomiya Shrine by Shiko Munakata
£55.00 Add to basketNamu by Shiko Munakata
£55.00 Read moreJapanese Cherry Blossoms from the series: “In Praise of Shokei, the Kiln of Kawai Kanjiro by Shikō Munakata
£300.00 Add to basket